Bad Brains Blue Note

I never really paid much attention to Bad Brains beyond Rock For Light. Sure, I'd listened to I Against I, and I appreciated it enough to spin it once a year, but it wasn't an album that I listened to that closely or spent much time with. A few years ago, however, I Against I started to catch my ear more and more... then last year, I really became hooked on the title track, and I listened the fuck out of that song. Of course that obsession eventually bled over to the full album, and suddenly I found myself really wanting to chase down a copy. When Ralf started posting colored vinyl versions of the album earlier this year, it only fueled my desire to track down a copy... but then I got side tracked by a rad looking reissue.

The cover design here pays tribute to those iconic Blue Note jazz records, with the tinted photography and clean bold text. These "Punk Note" versions look fucking sharp for the Bad Brains reissues and make me want to finally listen to Quickness to see if I want to bother chasing down more of these. Collector mentality is going to make me listen to records that I'd never given much thought to, isn't it?

Because I'm an idiot, I can't remember who messaged me about this reissue of I Against I being available. If it was you, let me know. Either way, as soon as I saw this great looking cover art and colored vinyl, I was all over it. Discogs has this listed as "coke bottle clear" vinyl, but this copy looks more clear with some blue swirled lightly into it. Is this the same thing?

Every Day Is Leg Day

There have only a few new releases so far this year that have really surprised me and had me excited. There have been plenty of discoveries for me this year that have given me a charge, and I've enjoyed listening to some new records that have come out, but for those that I've really obsessed over... they have been few and far between. One of those that has really caught my attention though, has been the new Whores album.

I've seen the Whores name pop up a few times as a recommendation on Spotify, and while I wouldn't say that the band name turned me off, let's just say that it didn't exactly make me rush to check them out. I don't know... I guess that I assumed they were some super sludgy sounding band , and I wasn't interested. But I recently saw that Whores were going to be playing near me, and with a new album I figured the time was right to finally put those assumptions aside and actually give them a listen.

Oh shit. Very quickly after I started to check them out, I wanted to buy the album and catch their live show when they come through town. Well, since I'm out of town when they will be playing their live show here, I guess I'll have to just be happy with one of those things. This record, from start to finish, is great. It isn't as sludgy as I expected, and some of these songs move alone nicely, but overall this thing hits hard and heavy... my mind keeps thinking My War era Black Flag (with less depression and more fuzz). Fuck. This one surprised me and I'm eating it up.

I wasn't sure which colored vinyl pressing I wanted. I didn't think that the option were all that great, but decided that I'd order the third press of blue in clear vinyl from the label, and that would be good enough. Instead they sent the second press of orange in yellow, which is a color combination that doesn't even make sense here. Ugh. I should have just bought what I wanted through Discogs.

The Kids Are Back At Donington

My friend Jeff gave me this record as a Christmas gift last year. He has recently acquired a bunch of old classic hardcore and punk records to sell for a friend, and since I'll be slowly buying some from him in the near future, I figured that I'd better get this album up on the blog before I get to the more interesting shit.

While I do really love the early Twisted Sister records, I probably wouldn't have bothered to chase down this live set at Donington from '83. This live recording has been available for years as a bootleg, but it seems to have received an official release back in 2022. I'm not wild about the record cover... especially using a photo from a year or so after this recorded show... but the live songs themselves sound great, and as a gift, I'll happily add this to the collection and give it the occasional spin.

The colored vinyl doesn't look too terrible, but could have done without the black splatter. Splatter ruins everything.

Chemtrails Over An Alternate Cover

I've posted some questionable things on the blog before... most notable was my brief obsession with Japanese singles for those early 80's MTV hits. Those records, however, were very much a comfort for me during a period where America's political climate had me angry and depressed a lot of the time, so I felt justified posting them here. But with this latest record that I picked up, I wasn't so sure if I should include it on a blog that mostly focuses on hardcore and metal. When I saw the post that Marcus did for Olivia Rodrigo a couple of months back, it cleared my head of this doubt. Even though this falls outside of what I normally buy for records, it is very much a snapshot of where my head is at... plus if I've learned anything over the past year it's that I won't limit myself to the restrictive musical views I've held in the past. This is my mind wide fucking open.

Last year, my friend Sarah introduced me to Lana Del Rey with her song West Coast. I found it somewhat interesting upon first listen, but it wasn't something that I expected that I'd really spend much time with. It was way outside of what I typically listened to, but it provided a nice break in my routine, and after hearing it a handful of times it really started to work its way into my brain. Soon after, the song would pop up on a random shuffle and as soon as I'd hear those funky opening notes my ears would instantly perk up and I'd be like, "wait, who is this again?", and I started to be interested in checking out what else Lana had to offer. Through the Fall of 2023, I started making a personal playlist on Spotify for Lana Del Rey songs that I found interesting, and before too long I was really enjoying it and revisiting those songs daily.

Yeah, I was shocked as well... but still, I figured that I was really only going to get into some of her songs, and she wouldn't be a full album artist for me. That changed this year, as I started takind a deep dive into Born To Die... and then when that wasn't enough I started repeat listens of Norman Fucking Rockwell, and Chemtrails Over The Country Club. I don't know, man, there is just something about her voice that is melancholic and sad, and it gets me every fucking time.

Look, if you've been a long time follower of this blog, you know that I'm a sucker for alernative artwork for records. I can't resist a special limited cover... and Lana Del Rey has a number of those for her albums. So while I was thinking about buying my first Lana album, and checking those different covers, it only fueled the fire to want to get one into my collection. I'd been listening to Chemtrails a lot recently, and the album has a couple of my favorite songs from Lana with Let Me Love You Like A Woman and Dark But Just A Game, so finding the red vinyl special cover for that album, at a really reasonable price, had me adding it to my cart and checking out. Writing this has me checking out other alternate covers for her records, so who knows where this will lead me, but I kinda want more.

Crooked Bat Claw

The new Bat album was released back in May this year, and while I've really enjoyed the other records from them, 2025 has been a strange year and I haven't been able to work up any interest until now. Something clicked in my brain a few weeks ago when I was posting the latest album from The Obsessed, and suddenly I felt the urge to check out some of the more newer metal records. The new Bat album came to mind, and I headed over to Spotify to finally check it out.

Bat haven't released anything since before the Covid pandemic... so, like 100 years ago. No worries though, because Bat keep doing what Bat does best and channelling that old Venom sound (with a healthy dose of Motorhead's Orgasmatron) directly into Under The Crooked Claw. Initially I wasn't too excited about the cartoon bat cover art, but after a friend showed me examples of what other bands were doing with their generic AI looking covers, I suddenly felt a lot better about this one.

Shockingly, there seems to be only one colored vinyl pressing of this album. 1,500 on clear with black marble. Happy to be able to grab this copy at a local record store instead of Discogs for a change.

Spaced Out

I've been terrible at keeping up with new music this year. It is September and I think that I've only heard three new hardcore records (Planet on a Chain, One Step Closer and the Wreckage 7 inch that I can't find the colored vinyl for). I really need someone to help put shit on my radar because I'm dropping the ball big time this year. Thankfully, Marcus came through and dropped me a note, asking if I'd checked the Spaced record that Rev released.

I'd seen some fellow bloggers post about Spaced... Marcus had a great post with all of the versions of the new record, and Ralf mentioned comparisons to Turnstile with the first Spaced record, so while I was definitely interested, I still wasn't paying attention. I needed that extra push of a direct recommendation. Once I finally sat down and checked the record, I was immediately hooked.

Spaced sound really cool, and they actually remind me a lot of Buggin. Fast hardcore that makes me want to move. So good, and will be getting a lot of spins from me through the end of the year. Seriously, what else am I missing?

Never Mind The Spiritual Cramps

A couple of months ago, my friend Sarah had messaged me, asking if I could find her a limited record that she was interesting in buying. Easy enough task for someone like me that is always on the hunt for records, and within minutes I was sending her a discogs link for where she could buy it. I thought the price was reasonable, but for someone that doesn't collect records, the $50 price tag may have seemed a bit high. She ended up buying the record and then I got to talking about some expensive records that I had sitting in my Discogs cart that I've been hesitant to pull the trigger on... and after talking her into buying a record, I felt like it was time to treat myself as well.

I've been obsessed with Spiritual Cramp since discovering them early this year. I really like this band, but I was a bit on the fence on how much I really wanted to collect their records. I'd been keeping my eye on the record release version for the first 7 inch for a while, and wringing my hands over if I should spend the money or not. It was released by REACT Records, and since I have a decent REACT collection, that made me want it a bit more... plus that Sex Pistols cover design and the fact that only 35 of them existed, really helped to force my hand. Fuck. If I didn't buy it, who knows if I would ever get the chance again... so while I was riding that Spiritual Cramp high, I clicked the button on Discogs to order it.

The copy that I received had a note inside to the original buyer, and I assume from the singer, Mike. Thanks for the five bucks bro.

Number 27 of 35.

Eddie Rips Up London

Seems that whenever I post a live bootleg record here, it makes me want to rush out and buy another one of them. After posting about the Megadeth boot earlier this year, it didn't take me long to head over to the Hells Headbangers store and see what I could pick up next.

Iron Maiden live boots are an instant buy for me. I own 10 or 11 Maiden bootlegs, and will not hesitate to buy a new one if the cover catches my eye. I just can't say no to a good looking Eddie cover... especially since the bootleg fan art tends to look better than what Maiden puts on their studio covers.

Back in 2005, I was really getting back in to heavy metal after distancing myself from that style of music through the 90's. Iron Maiden was touring and playing only the early shit, from the self titled album through Piece Of Mind, and made a stop in Massachusetts. At that time, while I was starting to listen to more and more metal, I was not going to see the bands play live... and after the band came and went, I deeply regreted not going to that show. Fun fact, after that Eddie Rips Up The World tour in 2005, I've seen Iron Maiden play every tour since then (with the exception of them touring for The Final Frontier album when they didn't play Massachusetts that time around) for a total of six times... with my seventh time coming up in a couple of months when Maiden hit Massachusetts for The Future Past tour.

All of this is to say that I'm happy to finally have a live boot from that 2005 tour. I love all eras of Iron Maiden, but man, this setlist of early songs is just so good. Makes me wish that they would do another tour playing this older stuff.

Sorrow Obsessed

New metal albums haven't been holding my interest too much this year. The few that I've checked out, have been good, but I've just not wanted to spend any time with them. So when I saw the new record from The Obsessed at one of the local record stores, I'm not sure why I felt the need to buy it.

I've never been a huge fan of The Obsessed. Nothing against them, I just haven't taken the time to really sit with any of their older records (even though my friend, Jeff, is always after me to listen to The Church Within). I did, however, enjoy their last album from 2017, Sacred, and actually spent time listening to it, so when I saw the new record at the store I figured that I'd grab it...even if I wasn't feeling the need to listen to it at the time. At some point, I'd be in that place, right? So I might as well buy it when I saw it.

The past couple of weeks have seen surprisingly cooler temperatures... strange for August, and it has started to feel a bit like Fall, and so when I saw the new record from The Obsessed in the stack of records to blog about, the time suddenly felt right. Man, I have been listening to Gilded Sorrow this past week and has put me in the mood for more shit like this.

Shatterhed

When I was recently picking up some 90's colored vinyl, and was poking around to see what else the seller had that might be interesting, the cover for the Shatterhed 7 inch caught my eye.

I knew nothing about this record, and had never even heard of Shatterhed before... but the record cover had a very 90's hardcore look to it, so I brought up the Discogs entry for it. Okay, the record is on 1124 Records, and I know that I have a 7 inch from this label in my collection for a straight edge band named Blindside... so that made up my mind and I knew that I was going to buy this.

This Shatterhed 7 inch is very much in the melodic hardcore vein of the time. When the record arrived as a part of my Discogs order, and I put it on the turntable, I didn't think that it was all that noteworthy, and I felt that maybe it was trying too hard with the melodies... but after listening to it a few times, these three songs are really starting to grow on me. I'm liking this more and more, and while it isn't going to touch some of the more well known bands of that time, this was still a fun discovery.

Probably the most surprising thing was that I was able to find the mp3 files for these songs on Soulseek. In a world of Spotify streaming, small bands like this get lost to time and dust, so I was happy that I was able to load them into my iTunes library and have these songs at my fingertips to play on the computer.

One Step Ahead

While I was in a 90's hardcore mood (always) and picking up the Burst Of Silence 7 inch, I decided to take a look at the sellers list to see if they had any other cool things from that time period that I needed to pick up.

One Step Ahead might have sounded identical to Verbal Assault... in fact I might have picked up this 7 inch because No Answers zine reviewed the band's first record, saying that "some of the songs were blatant Verbal Assault rip offs." Sounds good to me... and probably why I enjoyed the band Remission so much as well. I know what I like, and if the band does it well, I'm not concerned how much they may "borrow" from another band's sound.

Of course in my ignorance, back in 1991, I picked up the black vinyl version. Happy to finally grab the white vinyl pressing after all these years. Man, the two songs on this 7 inch from 1991 are just so good. Shame they didn't do anything after this.

Burst Of Colored Vinyl

Like most years, I've spent a good amount of time listening to 90's hardcore. It is probably the place that I spend the most time. It just never gets old for me. So shortly after posting some lesser known stuff like Man Will Surrender and Deepwater a few months ago, I immediately felt the need to search out more of that kind of thing.

I've always had a soft spot for the Burst Of Silence 7 inch. I saw them play day three of the New Bedford fest in 1994, and grabbed their record after watching them play. Of course the record that I bought at the show was the black vinyl, and at the time I didn't really know any different. To the best of my knowledge there was only one pressing of any record... and it was usually on black vinyl, although occasionally something was pressed on colored vinyl instead... but I had no idea that record labels would do BOTH. It took me years to understand this fact. So here we are 30+ years later, and I'm finally getting around to adding the colored vinyl version to my collection.

There isn't anything really original with the four songs on that 7 inch... they play that chugga chugga style of 90's hardcore and hit all the standard topics of straight edge and vegetarianism, but I don't care because I love that style and there can never be enough straight edge vegetarian/vegan songs. I eat that shit up.

Two Eyes For An Eye

A few posts back I mentioned that I avoid discography collections when it comes to buying records... so of course I'm here to post a discography collection that I picked up recently.

I'd been listening to bands like Sick Of It All, Agnostic Front and Cro-Mags for a couple of years before I truly got into hardcore. I started going to metal shows in Boston at the beginning of 1990, and over the next year, newer and more underground hardcore bands started to make their way into my periphery. By the time we were moving through 1991, I'd pushed a lot of metal aside and Boston Hardcore was my new personality. Bands like Kingpin and Dive were so important to what I was discovering for new bands at the time, but Eye For An Eye just seemed to be on another level. Boston loved that band, and went off the few times that I saw them at The Channel or Bunratty's. Because they were such a formative part of my entrance into the Boston hardcore scene, when Deathwish recently released a compilation 12 inch that contained the band's two 7 inches, it made it really hard to not pick one up... plus, I'm fairly certain that is me in the Bad Religion shirt off to the right, by Lloyd's foot, so that was another incentive to grab a copy.

When it was announced that Eye For An Eye were going to do a reunion show with Have Heart in Boston on July 20th, I was crushed. I had family plans for that day that I was not going to be able to get out of, and it was very disappointing to think that I was going to have to miss out on seeing the band that was so important to my true hardcore introduction. Thankfully, a few weeks before the Have Heart show, Eye For An Eye announced that they were going to be doing a smaller show the night before. Now that was a show that I could make! I might be exhausted for my nephew's wedding the following day, but it was a price that I would gladly pay.

I ended up connecting with my friend Pete that lives in Boston, and made plans to get some pizza before the show. The pizza place was just around the corner from the club, and as we were eating, all the dudes from EFAE came in and hung out with us. Kind of a funny moment with the guys from the band introducing themselves to me like I didn't just drive 120 miles to specifically see them. Fun times for sure. I was a bit anxious about the show and having to awkwardly hang out before the band started, but man, once they started their set with Signs Of The Pride, I was transported back in time. Band was so fucking good that night, and I'm very glad that I made the trip.

One more photo that I stole from the Eye For An Eye instagram page that shows how much fun those early 90's Eye For An Eye shows were, and includes a young and crew cut version of me peaking up over the guy climbing on the crowd.

The Return Of Fu Manchu

I keep having the best of intentions of getting back to posting regularly here on the blog, but time moves so fast these days that I blink and a week has gone by... being away for four days last weekend to see Metallica play a couple of shows did not help with my posting here either. Speaking of shows, I'll be seeing Fu Manchu play with Clutch next month, so let's get to their new record.

There is no bad time to listen to Fu Manchu, but summertime sets the perfect vibe. As soon as I gave their new record, The Return of Tomorrow, a listen, I was hooked on that fuzz. You know exactly what you are going to get with Fu Manchu. There are still a few Fu Manchu records that I haven't heard, but each one that I spin is just a blast... and this new one is no different. Perfect summer soundtrack.

It has been over 10 years since I last saw Fu Manchu play live. It was shortly after the 2013 Boston Marathon bombing and the city went into total lockdown for a manhunt shortly after the show... so let's hope things are less dramatic when I see them next month.

Vinyl tends to look cheap these days with gross patterns, so it is always an unexpected surprise when it looks this good AND matches the cover art. More of this please. "Sky and Space" colored vinyl limited to 4,000.

Karate Is In The Ocean

There was a period in the early 2000's when my new dial up internet connection collided with my intense desire to find new music. I was hungry for something new and tools like Napster, WinMx and Soulseek gave me access to download full albums of bands that I was curious to check out. I was grabbing anything that I had the slightest interest in... nu metal, hip hop, rock and indie bands. It was kind of overwhelming as I was downloading multiple albums a day and ripping them to CD so that I could listen in the car and at work, and there was realistically no way that I was able to give any of it the time an attention it probably deserved. A few bands made a decent impact on me and stuck around, but for the most part there was a lot of stuff that just became a blur of background noise. During this time period, I downloaded a few albums from Modest Mouse and Karate... and at the time, none of them made much of an impression and those burned CDs that I'd made for them hit the trash and I forgot all about those bands. Earlier this year, a friend had me check out a Modest Mouse song and much to my surprise I found that I really liked the band and I could not get enough of them... and then in the midst of my Modest Mouse obsession, Ralf over at It All Comes Down To This put Karate back onto my radar.

I hadn't thought about Karate for probably 20 years. I really liked the Cherry Coke song that they had on the split with The Crownhate Ruin, but I remembered everything else that I'd checked out as being rather dull. With my new found appreciation for Modest Mouse, and inspired by Ralf's post, I figured that maybe I should check out Karate with older ears and an open mind. I went to Spotify and pulled up the album that Ralf had posted about, The Bed Is In The Ocean, and started listening. The first couple of songs had my attention, but once we started making our way through Diazapam, I found that I was really enjoying it. The more that I listened to these songs, the more I loved them. The songs are so laidback, but for some reason when I listen to this album I have to turn the volume way up. It's like there is a hidden power rumbling through the songs, and they just demand to be played loud. Honestly, I'm fucking floored by how much I love this record. I don't even know if I dare check out other Karate albums because this one is so perfect.

I could have picked up an original 1998 black vinyl pressing for a decent price, but that tri-colored reissue from 2022 looked too good to resist... and for only $18 on Discogs, the price was right as well.

A Moment In The 90's

There are a couple of things that I try to avoid when collecting records these days. No box sets and no discography compilations. At one time, I had the mentality that I needed it all, but these days, I don't need that taking up space on my shelves. It just seems like a waste to me if I already have the original records. When my buddy, Chris, gave me a heads up that there was a Shotmaker box set on the way last year, I thanked him for the info but said that my original vinyl had me covered and this wasn't something that I needed.

Okay, hear me out. I've been listening to a lot of mid 90's emo this year... Current, Native Nod, Policy of 3, and obviously repeat spins of Shotmaker. Because of this obsession, I started to rationalize it in my brain. "The packaing and vinyl looks great." "For a three LP box set, the price is actually reasonable." And finally, "I really fucking love Shotmaker."

With the nice looking black box, embossed with the Shotmaker name across the front, the three LPs where each band member gets a full size photo on the back cover sleeve, this is just a really nice package.

I would have liked a bit more history from the band in the booklet that comes with the box set. It is still really nice with plenty of photos and flyers, but I would have loved to hear the details on their experience and memories in writing, recording and traveling. Also, this three record set is somehow incomplete, and does not include the two songs from the split 7 inch with Watershed or the two songs from the HeartattaCk #10 and All The Presidents Men comps. Those four songs are crucial to the history of Shotmaker and it is a shame that they were missed.

The first record contains the Mouse Ear [Forget-Me-Not] LP and looks great on this transparent purple vinyl.

The second record in the set is for The Crayon Club LP on a good looking blue vinyl.

Finally, we get the two Shotmaker 7 inches and the songs from the split with Maximillian Colby combined on a 12 inch for the third LP on green.

500 pressed. Totally useless for me to buy, but record collecting is all about stupid pointless purchases, and I'm really happy to own this... plus it got the songs onto Spotify so I can listen to it whenever the mood strikes.

All You Embrace

One Step Closer has been an interesting band to follow. Their first EP, From Me To You, had a strong Have Heart vibe, but with each release the band has moved more and more into a more melodic direction. When they released their three song EP, Songs For The Willow, last year, I was feeling that I was probably done with the band. I really liked those songs, but I felt like they had pushed their sound as far as I was willing go with it.

I recently discovered Title Fight and have been listening to them a bunch this year, and they can lean into that melodic style that I never thought that I'd appreciate... but I've had a number of musical perspective changes in the past year, and that is one of them. So when I heard that One Step Closer had a new album on the way, I thought that if they went in the direction of their Wilkes-Barre home town heroes, Title Fight, then there was a chance that I might really enjoy it. I took the chance and ordered the record.

The thing is, I do kind of like this album. I wish that they had more of a harder edge, and didn't get poppy enough to remind me of Sum 41 at times, but I don't hate it. I don't expect it will be a favorite of the year, unless the new hardcore field continues to remain thin, but I do like to give this a spin every once in a while.

The packaging for All You Embrace, on the other hand is fantastic. The nice lyric booklet is nice and thick with some big photos and comments from the band about touring and recording. It is a nice touch. 500 pressed on blue, white and black swirl colored vinyl.

Spiritual Reaper

The problem with being late to discovering a band is finding that their older records carry a high price tag. As I've been going back into the Spiritual Cramp catalog, I'm finding it difficult to put together a decent collection for cheap. When I heard that they had a new split 7 inch coming out with White Reaper, I knew that I had to get it before prices jumped after it was sold out.

On this split, each band contributes one song which features the other band as a guest... so White Reaper contributes to the Spiritual Cramp song, and vice versa. I'm obviously here for the Spiritual Cramp song, but both sides of this record compliment each other nicely. I'm not sure that I'll be tracking down more from White Reaper, but their song here is kind of fun.

The clear vinyl pressing seemed to only be available in the Spiritual Cramp store, and is now sold out. White Reaper does have a "black ice" version still available, but do I want to collect both?

From Hell I Rise

Slayer released their last album, Repentless, back in 2015, and then played their "last" show in 2019. While I could see Tom Araya not doing anything outside of Slayer, it was not surprising when it was announced that Kerry King was putting together a new band. Honestly, I was skeptical. I felt that there was a good chance that this was going to fall on its face. When I saw that the Kerry King band had a new song available on Spotify, I decided to see how badly it missed the mark.

I was floored. The first song to be released, Idle Hands, fucking ripped. I did not expect this. Hearing that song and discovering that Mark Osegueda from Death Angel was doing vocals on the album, I was suddenly very fucking excited. I love Osegueda's voice with Death Angel, so if he was involved, I knew what to expect and hearing him alongside King's guitar work is a perfect match.

Time will tell how well this Kerry King record stack up against Slayer's last one, but right now I'm putting them on par with each other. I'm very happy with how this turned out... even though it is extremely lame to name your band after yourself. Seriously... you couldn't have come up with some clever band name using the word "king"? Kill The King? Hell's Kingdom? Sofa King Evil? Honestly, anything would have been better and more creative.

The L-Shaped Man

Those first few Ceremony records were some next level shit. They were so angry and abrasive, but you could see the band pushing boundaries and growing with each release. By the time the band dropped Zoo in 2012 I was losing interest and wished they would just stick more to the hardcore sounds that I liked. I didn't want more growth and trying different sounds... I just wanted the aggression. Zoo did grow on me, and I did end up really liking that record, but after that one, I was done. I did not care to see where the band went from there.

When The L-Shaped Man was released in 2015, it barely registered on my radar. I think that maybe my buddy, Doug, liked it, but it didn't seem like it was going to be for me. Nine years later, and a solid year after I started being turned on to different music in 2023, and this kind of music is very much going to fucking be for me.

I was hanging out and listening to Zoo earlier this year, and the time felt right to finally give Ceremony's next album a chance, and right out of the gates, I fucking loved it. I can certainly understand why I wouldn't have appreciated this back when it was released, but it fits into that different style of music that I've been craving lately. Sometimes you need to wait until the time is right.

When I was looking to buy a copy of the record, I found a tour pressing of the record available on Discogs for a decent price. The Discogs listing says that each one is "unique", with the singer hand drawing the shape on the front of each cover... but the shape is damn near identical to the original, so it isn't really as cool as it sounds.

Invincible Priest

Judas Priest keep on kicking. It has been a number of years since KK left the band, and then Glenn Tipton wasn't able to tour in recent years due to Parkinsons, so it was kind of a surprise when we heard that the band was working on a new album. I'm not sure how much longer they will be able to hold things together, but like AC/DC, I'll be there until the very end. The last Priest record, Firepower in 2018, was some solid heavy metal, and I didn't expect any less from Invincible Shield.

You know exactly what you are going to get with a modern Priest record. There are no surprises... the band just comes in and gives what's expected. It might be nice if they mixed it up a bit, and maybe brought in some of those 70's flares because that is my favorite era of the band, but that's fine... I'll take the full on metal attack. Invincible Shield may be very similar to Firepower and Redeemer of Souls but they still deliver the goods, so I'm not complaining. It is just great to still hear Halford and his band doing what they do.

It was difficult to decide which edition of the record that I wanted to pick up. The album coordinates the colored vinyl to the album cover... so the red vinyl has a cover that mostly uses red, while the blue vinyl has a cover that leans more into the blue color... same with the pink and the purple colored vinyl... and then there is the alternate cover art, or the holographic cover. Impressive packaging for sure. While I really wanted the pink vinyl version, the red vinyl was available at my local store, so I just grabbed that one.