Saturday, April 14, 2018

Green Times At The Jersey Shore

Lately, I've been in a hardcore headspace, and my record buying habits reflect that. I've been getting a charge out of revisiting that classic shit from the 90's and 00's, and I've fallen into the bad habit of saying "I'll buy just one more record, and then focus saving some money.", and then I turn around and do the same damn thing a couple of days later.

Sometimes, I find it fun to go through "anniversary playlists". You know, revisiting stuff that was released 10, 20, 30 years ago. Well, since it is 2018, I was time travelling back 20 years to 1998, and spinning a bunch of albums from that time. 20 fucking years. How is that possible? Doesn't seem that long ago that I was travelling down to Boston a couple times a month to see bands like Ten Yard Fight, In My Eyes and Fastbreak play shows. Christ, I'm old.

My Floorpunch collection is pathetic. Because I was stuck in a mindset of preferring CDs to records at the time, my Floorpunch record collection consisted of only the Division One Champs 7 inch...on black vinyl...plus a few copies of that New Jersey discography that Six Feet Under did years ago. The thought of trying to build a collection for this band was overwhelming, so I've just avoided it.

Listening to the Fast Times At The Jersey Shore album recently, kind of reignited just how much I love this record. I was playing it repeatedly, along with with other hardcore classics from 1998, and I figured that I'd just take a look at Discogs to see what going rates were for the vinyl. There weren't any sellers with the white vinyl available, but there was a green vinyl pressing available at a very reasonable price. I didn't want to leave it, and then pay more for a different copy later, so I said "One more record, and then I'll focus on saving some money", and I hit the button to add it to my cart.

300 pressed on green vinyl, and I couldn't be more happier to have this in the collection.

Thursday, April 12, 2018

All Chrome

I was recently reading an interview with Pat Flynn over at No Echo. I don't normally care about interviews with hardcore bands, but Pat Flynn is such an interesting and eloquent dude, that I figured that I'd check it out. No surprise...the interview was great. What did kind of surprise me was the mention of a hardcore band from the late 90's that I'd never checked out before.
One of my all time favorite hardcore bands is All Chrome from New Bedford, Massachusetts. A pretty much unknown band that fused the sound of Verbal Assault with the likes of Quicksand and Supertouch. What is important to me about that band is the community it fostered. Had they not formed, I know I would not have fell in love with the hardcore scene and perceived as a real community of creativity. I would have drifted off in search of something else. They never toured extensively or put out an LP. But if Have Heart or anything I’ve offered to the hardcore scene had any positive impact, then All Chrome sure as hell played a major role in the hardcore scene.
Suddenly, I was very interested in tracking down some songs from All Chrome and giving them a listen.

While I don't have the same level of appreciation that Pat Flynn has for this band, this is still a pretty good record. I mean, 1999 was an odd time for hardcore as it was, and All Chrome definitely fit the time when some hardcore bands didn't fit into a defined style.

According to Discogs, this was only pressed on black vinyl, so for $4, I grabbed a copy.

Tuesday, April 10, 2018

Voice Of Ecostrike

About a year ago, a was introduced to Ecostrike. It had been a long time since a Hardcore band had me as excited as I was when I first checked out their Time Is Now 7 inch. That record, with its 90's Straight Edge Hardcore sound, grabbed my attention and would not let go. Easily my favorite record of last year.

When I heard that Triple B was going to be releasing an album from Ecostrike in 2018, it immediately jumped to the top of the list of most anticipated releases for the year.

The album certainly delivers on its promises and lives up to the hype. While the 7 inch had me drawing comparisons to the first couple of Earth Crisis 7 inches, the sound on this album reminds me more of One Truth-era Strife. Earth Crisis...Strife...you can't lose with either one. It will be interesting to see if Ecostrike can make the top of my list two years running. Right now, I think they have a pretty good shot.

When preorders went up, I went with the simple black vinyl option. Both the black and colored splatter vinyl were limited to 200 each, but I was counting on the splatter looking like shit, so I went black instead. Now I kind of want that splatter vinyl as well...and maybe the pink colored vinyl as well...oh fuck, might as well add the record release to the want list as well.

Wednesday, April 04, 2018

The More They Stay The Same

Back when I was obsessing over records from 2005, and I was picking up vinyl from Mental and Lion Of Judah, I uncovered a number of forgotten treasures. Man, I had forgotten just how much fun some of this stuff is, and it was a charge getting back into it.

While I already had a copy of the last One Up single, my copy was on green vinyl...and since the blue vinyl was available on Discogs for only a fiver, it was a cheap way to burn some of the energy that had been building up with this obsession. "Hey, I really like listening to this record right now, so I might as well buy another copy of it". Solid logic.

I absolutely love this record. The a-side is great, but man, that Texas Is The Reason cover on the b-side really gets me moving. I really like Texas Is The Reason, but man, if there was ever an instance where the cover beats the original...this is it. This has a total latter-day Turning Point vibe. Damn...if only the band stuck it out for one more record. I would have loved to have seen what they could have put together.

Monday, April 02, 2018

Steel And Silver

The 2018 new releases are starting to roll in! Three months into the new year, and I've only posted one new release, but checking my backlog of records that need to posted up here on the blog, and things are starting to pick up steam.

A couple of years ago, Visigoth came out of nowhere with their debut LP, and that thing kicked my ass. Their traditional metal sound really hit all of my buttons back in 2015, and that album rocketed up my Top 10 list. When I heard that Visigoth had a new album coming out this year, I preordered a copy without hesitation. Rather quickly, it made my short list of most anticipated releases for the year.

Man, this album is a solid follow up to The Revenant King. It starts off hella strong, and initially makes a case for being as good as the debut, but then things get a little shaky with Salt City, and even though they are trying for another Iron Brotherhood type anthem, it misses the mark for me, and therefore puts the album just a notch below their debut.

Limited to 300 on the clear with smokey blue colored vinyl. Damn, that vinyl color looks great!

Thursday, March 29, 2018

Master Of Box Sets

I started collecting the Metallica deluxe box sets when they released them for Kill 'Em All and Ride The Lightning back in 2016. Thankfully they gave us some time to catch our breath before rolling out the third one in the set...Master Of Puppets.

These deluxe box sets do not come cheap, and it takes a serious commitment to plan on chasing them. When it was announced that Master Of Puppets was getting the deluxe treatment, I couldn't help but inwardly groan. Fuck. I'm having a good time spending money on old records through Discogs and eBay. I don't know if I really want to shift my focus over to this beast.

When release day rolled around, I was surprised that it didn't show up at my local record store. It seemed as though it was sold out before it hit the shelf, and the store didn't seem to have any available. Suddenly, my interest in getting my hands on one of these increased. I mean, I obviously needed one to keep the collection going, but now I was starting to panic on how difficult it might be to find one, and I went from "I'll pick one up at some point" to "I need this right fucking now".

I hate shopping at my local Newbury Comics, but when I saw one on the shelf there...and it happened to be a 20% sale on all vinyl...I didn't hesitate to buy it.

This box set is massive. High quality and stuffed with all kinds of cool shit for the Metalli-nerd.

We obviously start things off with a vinyl pressing of the album...the Damage Inc print is a nice touch.

I love the early Metallica live stuff...back when the band was still hungry and raw...so the exclusive double live vinyl that is included in the box set is one of the high points of this packaging.

So many cool extras...live shows, interviews, demos, and Jason Newstead's auditions. Pretty wild to hear the original version of Welcome Home (Sanitarium), which included a portion that was later pulled out and used for Orion. Even the folder with copies of handwritten lyrics just adds to the level of detail that went into this box set.

Finally, there is the hardcover book that is full off old photos, magazine articles, and reflections from those that were there at the time of Master Of Puppets. Hella cool all around.

Sunday, March 25, 2018

Preorder Powertrip

When I was picking up the Mental and Lion Of Judah records from an overseas Discogs seller, I couldn't resist the temptation to add just one more record to my cart before checking out.

Nothing Done have been one of my favorites from the mid to late 00's. High energy Hardcore that never fails to get me moving. Since discovering them back in 2007, I've slowly been adding their different pressings to the collection, and adding a record here and there. I've been off my Nothing Done game for a number of years, but while I was on Discogs wasting money, I found this pressing of their Powertrip LP that I was missing, and I scooped it up.

Limited cover for preorders that wraps around the original packaging. Numbered and limited to 60.

This is now my fourth copy of the album, alongside the second pressing on blue vinyl, the UK tour pressing, and the record release cover. I love how each of the limited covers is limited to 60...because I like uniformity like that.

Thursday, March 22, 2018

In Like A Lion...

A few years ago, I got burnt the fuck out on collecting multiple pressings. It felt like things were getting out of control, and the thrill of the chase turned into a pain in the ass when labels were pressing new releases on 5 different colors, and dropping reissues left and right. I stepped away from that madness, and instead focused my attention on picking up those classic records that I never owned on vinyl in the first place.

I shed that feeling where I felt an obligation to buy everything that a label was releasing, and instead of spending $50 to buy every pressing of a new album, I was content with one copy. It was liberating.

Out of the blue, recently, I started listening to some records from 2005 that I hadn't thought about in years. Suddenly, that old feeling was back, and I started thinking about how great it would be to own more pressings for those albums that I already owned. Fuck that level headed thinking of locking it down and focusing on finally adding that Articles Of Faith album to the collection...let's get loose.

After grabbing a copy of Planet Mental on white vinyl, I had to check to see what else that seller had to offer. Part of my 2005 obsession included multiple spins of the first Lion Of Judah 7 inch...so when I saw that the seller also had a copy of the Soul Power (Plus Four) 12 inch, I quickly added it to the cart as well.

I remember when this 12 inch was originally released. I was spending lots of time on the Bridge Nine messageboard at the time, and when I saw the announcement that some Euro label was releasing Soul Power, along with the songs from the demo, on a 12 inch for Lion Of Judah's Euro tour, I really wanted one. But what was some kid from The States supposed to do? I didn't want to deal with overseas shipping, and prices just seemed to high for my tastes at the time, so I never got my hands on one.

Over 12 years later, the dream finally comes true...and for under $10.

Tuesday, March 20, 2018

Fear Of A White Planet

When Planet Mental was released back in 2005, I had just started to get into record collecting. I remember being pretty stoked to get an "Earth Sucks" record release pressing at their show, but being new to the game, I hadn't really gotten hooked on the concept of collecting multiple pressings...so the one copy was all I needed. As the years went by, I'd entertain the idea of going back to pick up some other copies of the Mental LP, but it just never happened.

It had been a long time since I'd spent any time with those mid-00's Hardcore records, but when I recently started dusting off some of those old records, I was hooked pretty quick, and that shit was getting multiple spins. It was exciting to go back and revisit that era that I'd been neglecting for the last few years...and soon I was checking Discogs to see if there was any vinyl that was available for a quick and easy purchase.

Since I already owned an original US pressing with the blue cover for Planet Mental, I was itching to pick up the red cover that was pressed for the Mental's Euro tour. I found a white vinyl pressing available, and I was good to go!

Sunday, March 18, 2018

Good Reddance

A few weeks back, I picked up a reissue of Ballads From The Revolution on colored vinyl. I absolutely loved the look of that vinyl, and it got me wondering if Fat Wreck had recently reissued any of the other Good Riddance records.

I started looking around and was pleasantly surprised to find that Symptoms Of A Leveling Spirit got the colored vinyl reissue treatment in 2017 as well. While I was originally hesitant to start chasing reissues...because of some strange allegiance to only purchasing original pressings...once I'd started down that road with Ballads From The Revolution, there was no holding back after that, and there was no internal struggle over grabbing another Good Riddance reissue. Again, that vinyl looks great!

Good Riddance were five albums in when they released Symptoms Of A Leveling Spirit and they were still putting out some great Hardcore Punk records. They might have been one of the few Fat Wreck bands that I cared about, but Good Riddance were one of my absolute favorites during the late 90's/early 00's, and it feels great to start putting their vinyl into my collection.

Friday, March 16, 2018

Boys Just Want To Have Fun

When I'm listening to music, I tend to narrow in on specific years or eras. Mostly my attention falls into the category of Metal and Hardcore for the 70's, 80's and 90's...and occasionally I'll get caught up listening to newer shit...and I can be perfectly content to spend weeks just listening to records from that chosen era over and over and over again. There is one period in Hardcore that I tend to overlook these days...those bands from the 00's.

I was recently doing one of those Record A Day challenges on Instagram, and the topic of "All Time Favorite Record" came up. Typically, for this category, I will fall back on something from Ronnie James Dio, but I wanted to mix it up this time around. I was tossing some different ideas around in my head, and then I remembered the Lights Out LP taking the top spot on my Last.fm account (which provides stats on all the music you listen to and capture with their site). Thinking about this album got me thinking about some mid-00's Hardcore records. Before I knew it, I was down the rabbit hole, and I woke up from a record shopping stupor with a stack of Recent Purchases on my account, and a wife that was upset about the number of boxes that were being delivered to the house.

One of the bands that I'd forgotten about over the past few years was One Up. While I was digging through old music and memories from the mid-00's, I came across songs from the It's Time To Believe album from One Up. I only owned it on CD, so I headed to Discogs to find out the deal on the vinyl pressing. Wait. What?!? That was only released on CD? How the fuck is that possible? I mean this was released by Dead By 23, who were kind of known for releasing multiple vinyl pressings, so how did this only see a CD release. Shit is whack.

So while I was trying to figure out what the deal was with It's Time To Believe, I happened to see a vinyl pressing of their demo for cheap. Man, that special cover for Posi Numbers pressing. Pretty much just boys fun. Hilarious.

If you happen to think that the front cover is gay, you might want to stay away from the b-side label. Again...just dudes having a laugh.

Hand numbered and limited to 75.

Tuesday, March 13, 2018

Propagandhi Victory

Propagandhi is one of those bands that I really loved in the mid to late 90's, but then I lost all interest in as we moved into the 00's. I only gave Failed States (2012) and Supporting Caste (2009) a handful of spins before shelving them, and I never even bothered with Potemkin City Limits (2005).

Despite not having very much interest in Propagandhi, I still stepped up to check out the video for Failed Imagineer from their new album last year. Damn, that song was great, and suddenly I was very interested to check out more.

I stole a download of Victory Lap, listened to it once or twice, and like the last couple of Propagandhi, I kind of shrugged my shoulders and moved on.

I was recently going through my 2017 playlist, and came across that new Propagandhi album. I gave it a spin, and before I knew it, my stats showed that it was my most listened to Propagandhi album from the past twelve years. I just kept going back to it...over and over...and eventually it became obvious that I was going to need to finally pick up the vinyl.

Sunday, March 11, 2018

I Believe In Getting The Bastard

Last Summer I was on a huge New Model Army kick, and then band pretty much dominated my playlist when I would go out for a run. There was just something about those songs that kept me fired up while I was ticking off miles on the roads. My NMA record collection was pretty weak, yet I had trouble pulling the trigger on any vinyl that I was checking out on Discogs. I ended up throwing the band's first full length album, Vengeance, into my Discogs Want List, and then I pretty much just ignored it as I moved on to other obsessions.

Discogs has a great system of notifying you when a record on your Want List is available, and after seeing notifications continually pop up for Vengeance, I was getting sick of seeing the reminders. A $10 copy of the UK first pressing popped up recently from a US seller, and I knew it was time to finally cross this one off the list.

This record is so damn good. Let's queue up Running In The Rain, lace up the shoes, and hit the road for a few miles.

Wednesday, March 07, 2018

Give Me Some Space

There are basically two camps when it comes to Turnstile. Those that love what the band is doing, and those that hate them with every fiber of their being. To be honest, I was expecting that with their new album, Time & Space, that they were going to lose a step. I loved the band since I heard first heard their Pressure To Succeed record back in 2011, but I didn't expect much from the band with a new record seven years later.

I listened to their video single for the song Moon, and my first impression was not a favorable one. The song was different than what I expected, and seemed to lack that intense groove that I associated with Turnstile. It seemed to cement my preconceived notion that this new Turnstile album was going to be a dud. But even with those expectations as low as they could get, on a moment of impulse, I still preordered a copy of the vinyl when they were available. I figured that if I hated it as much as I thought that I was going to, I could just flip it on Discogs to recoup my loss.

Well, I couldn't have been more wrong, because this new record is fucking great. Turnstile push the boundaries of their sound...they continue to grow and yet still sound completely vital. Even my initial impression of the song Moon has done a 180 degree turn in the context of the album. I know that it is cool for us older guys to be all jaded and shit on this album, but I'm absolutely loving it.

For once, Turnstile don't release a record with some shitty cover art. This thing looks great, and the packaging is top notch. 400 pressed on orange vinyl.

Friday, March 02, 2018

You Stupid Asshole

I was excited to start 2018 off by making a good run at some New Wave Of British Heavy Metal records. My daily playlists were restricted to that period of 1977 through 1980, and I was discovering all kinds of treasures that I'd never heard before. I was buying some big time records and having a good time...and then I got sidetracked with some early 80's hardcore punk. I was trying to focus on some undiscovered NWOBHM stuff from 1980, but shit like Agent Orange, Circle Jerks, Black Flag, and The Angry Samoans kept pulling me in for repeat listens instead.

Despite having just dropped a lot of money on a couple of big time NWOBHM records, and should have been scaling back my spending, I couldn't resist the call to extend the spending spree with an expensive punk record.

I've had my sights set on an original pressing of the first Angry Samoans record, Inside My Brain, for a long time now. It has been so long, that this year I finally added it to my Top Ten Wants For 2018 list on the sidebar of this blog...just as a constant reminder to finally get the job done. Mission accomplished.

I love the first two records from The Angry Samoans. They are loud, snotty, and over the top. As someone that considers himself rather PC, you would think that this stuff wouldn't be a good fit, but I'm giving them a free pass. Hey, it was the 80's, and we weren't too sensitive to that shit like we are today. If it were a newer band, some of these lyrics would not fly. Still, I'm careful not to blast this one when the kids are around.

As a cool extra with this copy, the seller had included a couple of promo sheets, and some old interviews.

Tuesday, February 27, 2018

Surf Combat

It took me a long to time to really "get" Naked Raygun. I mean, I liked a few of their hits, but each time that I would check out an entire album, I was left scratching my head. Naked Raygun weren't a by-the-numbers hardcore band...they were a little different, and for the longest time, I just couldn't wrap my head around what they were doing.

Around five years ago, I was having a conversation with someone, and we both had the same opinion on Naked Raygun...and this of course prompted me to check out one of their albums...again. I'm not sure what it was, but this time something clicked. Suddenly, I found myself really enjoying what I heard. Over the years since then, I ended up downloading four Naked Raygun albums, and enjoyed them more and more with each listen. The time had come to buy some vinyl.

I was tempted to grab some recent reissues, because the colored vinyl looked so damn good. The thought of Jettison pressed on clear pink vinyl was almost too much to resist. I was at war with myself over buying the vinyl that looked nice, or sticking with the plan to pick up original pressings.

In the end, I landed on the original Homestead vinyl pressing of Throb Throb to kick off my collection.

I was holding out for a copy in excellent condition, and finally pulled the trigger when I saw one that fit the bill on eBay. I couldn't have been happier...until the box landed at my door with a crushed corner and a huge dent in the side. The seller packaged the record nicely, but even that couldn't prevent the mail service from fucking it up. Heartbreaking to have the side of the sleeve crushed and ripped.

Monday, February 26, 2018

Ballads From The Reissue Revolution

There was a time when Good Riddance was one of my favorite bands. Of course this was back when I was buying CDs exclusively, and didn't understand the appeal of colored vinyl...so now here I sit, years later, with a shitty record collection for the band...and if I want to pick them up now, I'll be looking at some high price tags. Some days I entertain the thought of making a run at them, but for the most part, it just seems to overwhelming, and I end up chasing something else instead.

Last month, Ralf over at It All Comes Down To This posted about a colored vinyl reissue for Ballads From The Revolution. Knowing how quickly Fat Wreck colored vinyl pressings seem to sell out, I was immediately disappointed that I didn't have some advance notice on this, and I resigned myself to a missed opportunity. A couple of days after Ralf's post, Marcus sent me a message to let me know that Fat Wreck still had some of the colored vinyl repress available. Since the last one that sold on Discogs went for $100, I decided that I'd take the cheap way out, and take advantage of the new pressing.

I've been listening to this album a lot over the past couple of weeks. Man, this thing still holds up. 20th anniversary and still going strong.

Saturday, February 24, 2018

Can We Survive The Bliztkrieg?

As I was obsessing over the New Wave Of British Heavy Metal, I got the idea into my head to buy some early singles that were on the Neat label. I already had the first Raven 7 inch (NEAT06), and since NEAT01 and NEAT02 don't count for shit to metal collectors, I started thinking about grabbing the first Tygers Of Pan Tang (NEAT03), Fist (NEAT04), and White Spirit (NEAT05) records. These 7 inches don't go for insane prices, so it seemed like a great idea to chase them and knock 'em all off my list during this obsession...and then shit escalated.

For the hell of it, I started checking what Neat singles came out after those four, and was curious to see what it might look like to chase the first nine 7 inches...because you know, nine records make for a good photo on Instagram. If I thought that prices were manageable through the first Raven 7 inch, things quickly get out of control by the time you get to the first Venom single...and then prices take another big jump with the Blitzkrieg record.

Suddenly, I was scrapping my original plan completely, and going after a heavy hitter. Sometimes you just have to go big.

Tuesday, February 20, 2018

Welcome To Hell

I've been slowly preparing myself for an oncoming New Wave Of British Heavy Metal obsession. I worked my way through my late 70's playlists on the iPod, and picked up some cheap records for the collection along the way. However, I was ready to make some big moves and quit fucking around. It was time to dive into the deep end of the NWOBHM.

I wanted to make a big impact with this NWOBHM purchase, and cautiously started approaching the idea of chasing some early Venom records. To me, those first few Venom albums are perfect...they are raw, fast and loud...and to cross one off my Want List, would be a big step forward. Venom records on the original UK Neat Records label don't come cheap, so I was kind of worried about what I might be getting myself into...and since I needed one in excellent condition, I thought that I might be getting myself in some trouble here. In the end, all things considered and relatively speaking, the damage to my bank account wasn't too steep, and I grabbed a copy without breaking a sweat.

Apparently, some early copies came with a poster, but those appear to be as rare as hens teeth, so after a while, I gave up trying to find a copy with one. I found a copy in great condition, and it had the original lyric sheet, and that was enough for me.

Friday, February 16, 2018

Whitesnake, White Vinyl

After laying the foundation, and preparing myself for a New Wave Of British Heavy Metal mindset with early chapters from Martin Popoff's books on the subject and healthy doses of a 1977 playlist, the next logical step was to move into 1978.

Digging into 1978 didn't uncover many lost treasures or surprises, however, there was one thing that caught my attention...and the more that I thought about it, I desperately wanted to make a move on it for the record collection.

I hated Whitesnake so much as a kid, that it still feels like a dirty secret for me to talk about how much I've grown to appreciate their early albums. I mean, the early Whitesnake days are basically just an extension of Coverdale's time in Deep Purple, and I've got no issue talking about my love for Purple...and the reality is that Whitesnake's albums like Snakebite, Trouble and Lovehunter, absolutely demolish Coverdale's last album with Purple, Come Taste The Band, so it might be time for me to finally stop hiding in shame, and proudly admit "Yeah, I fucking like Whitesnake. What are you going to do about it?"

Back to the topic at hand...when I was reading through Popoff's chapter on 1978 in his Wheels Of Steel book on the NWOBHM, I came across this entry:

June 2, 1978. "David Coverdale's Whitesnake" issue their first material, the Snakebite EP... The four tracks from this EP would be combined with four tracks from (Coverdale's solo album) Northwinds to become the debut album, also called Snakebite.

This came as a total surprise to me. I mean, I'm no scholar on Whitesnake history, but I had no idea that Snakebite was initially a 7 inch EP. Making this discovery, ignited a need to track one down, and finding out that they sell for relatively cheap on Discogs, made it an easy decision to grab one now.

Monday, February 12, 2018

Farewell To '77

A couple years ago, I went on a tear with a bunch of punk albums from 1977. Metal and Rock from that year took a backseat at the time, and I was all about The Damned, Sex Pistols, and Heartbreakers. This time around, rock and metal from '77 takes center stage.

The plan was to start working my way through my playlists of the late 70's, and then immerse myself into the New Wave Of British Heavy Metal explosion around 1980. I ended up having so much fun just hanging out in 1977, and really appreciating some of the albums that were released that year, that I decided that the NWOBHM could wait, and I started picking up some vinyl for albums that I was currently obsessing over.

I love early Rush, but I don't usually venture past the 2112 album from 1976, so it was a nice surprise to finally discover and appreciate A Farewell To Kings. Man, right alongside Nutz and Quartz, I was spinning these songs day after day.

Don't you love it when an obsession doesn't break the bank? An easy score under $10, which makes you wonder why people are dropping $30 on the reissues from a couple years ago.

Saturday, February 10, 2018

Hard Nutz

As I was working my way through Martin Popoff's book, Wheels Of Steel, and reading about those early years leading up to the New Wave Of British Heavy Metal, I read about some band called Nutz releasing their third album in 1977. I recalled that they had a track on the classic Metal For Muthas comp, which was considered a big milestone that propelled the NWOBNH forward, so while I was neck deep in my 1977 playlist, I grabbed a download of Hard Nutz to check out.

Just like that Quartz album from the same year, I was surprised at how much I enjoyed it, and I was playing the two of them back to back, just about every day. Listening to Hard Nutz these days, I can't imagine why this band wasn't fucking huge...oh yeah, that's right, their name was Nutz and that album cover is horrendous. So many bad decisions that hide the fact that this album contains some killer 70's rock.

I'm glad that I discovered this album, but obviously most people are still in the dark over them, as I was able to pick up this excellent condition record for well under $10.